at the extreme end of which some dozen wet

They couldn't do any good if they did, for nobody cares for the rubbish sent here; and if you tried to Christianize them, you would only get laughed at. I don't like to be laughed at. Munday's not here now, that's settled-but I'll-for curiosity's sake-show you into the 'mad cells.'" Mr. Glentworthy leads the way, down the rickety old stairs, through the lumbered passage, into an open square, and from thence into a small out-building, at the extreme end of which some dozen wet, slippery steps, led into a dark subterranean passage, on each side of which are small, dungeon-like cells. "Heavens!" exclaims Madame Montford, picking her way down the steep, slippery steps. "How chilling! how tomb-like! Can it be that mortals are confined here, and live?" she mutters, incoherently. The stifling atmosphere is redolent of disease.   "It straightens 'em down, sublimely-to put 'em in here," says Mr. Glentworthy, laconically, lighting his lamp. "I hope to get old Saddlerock in here. Give him such a mellowing!" He turns his light, and the shadows play, spectre-like, along a low, wet aisle, hung on each side with rusty bolts and locks, revealing the doors of cells. An ominous stillness is broken by the dull clank of chains, the muttering of voices, the shuffling of limbs; then a low wail breaks upon the ear, and rises higher and higher, shriller and shriller, until in piercing shrieks it chills the very heart. Now it ceases, and the echoes, like the murmuring winds, die faintly away. "Look in here, now," says Mr. Glentworthy--"a likely wench-once she was!"   He swings open a door, and there issues from a cell about four feet six inches wide, and nine long, the hideous countenance of a poor, mulatto girl, whose shrunken body, skeleton-like arms, distended and glassy eyes, tell but too forcibly her tale of sorrow. How vivid the picture of wild idiocy is pictured in her sad, sorrowing face. No painter's touch could have added a line more perfect. Now she rushes forward, with a suddenness that makes Madame Montford shrink back, appalled-now she fixes her eyes, hangs down her head, and gives vent to her tears. "My soul is white-yes, yes, yes! I know it is white; God tells me it is white-he knows-he never tortures. He doesn't keep me here to die-no, I can't die here in the dark. I won't get to heaven if I do. Oh! yes, yes, yes, I have a white soul, but my skin is not," she rather murmurs than speaks, continuing to hold down her head, while parting her long, clustering hair over her shoulders. Notwithstanding the spectacle of horror presented in this living skeleton, there is something in her look and action which bespeaks more the abuse of long confinement than the result of natural aberration of mind. "She gets fierce now and then, and yells," says the unmoved Glentworthy, "but she won't hurt ye--"